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[hidden track] ;​-​) ssshhhhhh​.​.​.​.​.​.​.​.​One More Tune - Deserted Orkney Saloon

from Vol. II Live! The First Scottish Tour by Nae Plans - Adam Sutherland & Hamish Napier

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  • Compact Disc (CD) + Digital Album

    'Nae Plans Vol. II LIVE! The First Scottish Tour' on CD - (+ instantaneous digital download of the tracks immediately following your purchase).

    Here are 10 marvellous live gig recordings from the 2014 tour around Scotland!

    If you are a big fan of Nae Plans, and are keen to support us, then perhaps you'd like to make a donation to help us cover the costs of making our music. Any help would be greatly appreciated, as it costs thousands of pounds to produce an album, and we're not millionairies! Just choose the amount that you'd like to pay at the check out. If you you wish to speak with us directly about a donation first, then please feel free to email us directly at:
    hamishnapier@mac.com

    Many thanks, Hamish and Adam

    Includes unlimited streaming of Vol. II Live! The First Scottish Tour via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
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    edition of 100 

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#13 “[hidden track] 😉 ssshhhhhh……..One More Tune – Deserted Orkney Saloon”
“Mercedes Benz Song [Janis Joplin, 1970]
Eight minutes later in that deserted bar in Kirkwall, Orkney, in November 2014. The lyrics of this famous song were written at Vahsen’s, a Port Chester, New York bar at 30 Broad Street on August 8, 1970 during an impromptu poetry jam between Janis Joplin and songwriter pal Bob Neuwirth. The lyrics were inspired by the first line of a song written by San Francisco beat poet Michael McClure, “Come on, God, and buy me a Mercedes Benz”. The song was recorded in one take on October 1, 1970. Sadly, these were the last tracks Joplin ever recorded; she died three days later, on October 4. The song appeared on the album Pearl, released in 1971.

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from Vol. II Live! The First Scottish Tour, released August 22, 2016

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naeplans Glasgow, UK

Authentic Scottish Folk Music.
Nae Plans aims to get to the heart of Folk music by capturing performances that are unplanned, with no prearrangement or rehearsal. The key is to capture performances as those of a folk session, stripped back, unadulterated and in the moment. ... more

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